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Behind Apple’s products is longtime designer Ive

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SAN FRANCISCO (AP) — Steve Jobs has been Apple’s most recognizable

personality, but much of its cachet comes from its clean, inviting

designs. For that, Apple can credit its head designer, Jonathan

Ive.

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Ive, a self-effacing 44-year-old Brit, helped Jobs bring Apple back

from the brink of financial ruin with the whimsical iMac computer,

whose original models came in bright colors at a time when bland

shades dominated the PC world. He later helped transform Apple into

a consumer electronics powerhouse and the envy of Silicon Valley

with the iPod, the iPhone and, most recently, the iPad.

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In the wake of Jobs’ resignation as CEO, Apple must show that it

can keep churning out head-turning products even without its

charismatic leader. Apple’s chief operating officer, Tim Cook, is

now CEO, taking on the role of Apple’s public face.

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But in many ways the real pressure will fall on Ive to make sure

Apple continues its string of gadget successes.

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Ive, known to his friends as “Jony,” has led Apple’s design team

since the mid-’90s. Working closely with Jobs, Ive has built a

strong legacy at Apple, ushering in products that are sleek and

stylish, with rounded corners, few buttons, brushed aluminum

surfaces and plenty of slick glass.

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Apple’s pride in this work is evident even in the packaging: Open

up any iPhone box, for example, and see Apple proudly proclaim,

“Designed by Apple in California.” Six of Ive’s works, including

the original iPod, are even part of the collection at the Museum of

Modern Art in New York.

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People who have worked with Ive describe him as humble and sweet,

quiet and shy, but also confident, hard-working and brilliant.

Paola Antonelli, senior curator of architecture and design for

MoMA, said she knows “hardly anybody that is so universally loved

and admired” as Ive.

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“Products have to be designed better now for people to buy them

because of Jony Ive and Steve Jobs and Apple,” Antonelli said. “All

of a sudden people have gotten used to elegance and beauty, and

there’s no going back.”

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Design, as well as software that makes the gadgets easy to use, is

a crucial part of setting Apple products apart from those of its

rivals. Apple didn’t make the first music player or smartphone, but

it blew past rivals by making ones that looked cool and worked

well.

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Ive started out far from Apple Inc.’s Cupertino headquarters. He

grew up outside London and studied design at Newcastle Polytechnic

(now Northumbria University) in Newcastle, England. After finishing

school, he co-founded a London-based design company called

Tangerine. There, he designed a range of products including combs

and power tools. It was through Tangerine that he first got to work

with Apple.

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In 1992, while Jobs was still in the midst of a 12-year exile from

Apple, the company’s design chief at the time, Robert Brunner,

hired Ive as a senior designer. Thomas Meyerhoffer, who worked

under Ive at Apple in the `90s, believes Ive came because he

understood Apple was different from other computer

companies.

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“He came to Apple to take that even further,” Meyerhoffer

said.

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And Ive did, but not right away. Ive quickly became a leader,

working as the creative studio manager and helping to build Apple’s

design team during a period in which the company struggled to

innovate.

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Apple declined requests for an interview with Ive. But during a

1999 interview with The Associated Press, Ive said that for years,

designers would produce foam models of computers only to be sent

back to their drawing boards because of managers’ fixations with

focus groups and marketing figures.

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“We lost our identity and looked to competition for leadership,”

Ive said at the time.

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Brunner left in 1996 and suggested that Ive take over the post,

even though Ive was only 29. When Jobs returned from his exile and

became interim CEO in 1997, he named Ive as senior vice president

of industrial design.

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With Jobs again at the helm and Ive as his style guru, Apple

refocused around design and produced a hit that got the company

back on track. Apple shook up the personal computer industry in

1998 with the candy-colored all-in-one iMac desktop, the original

models shaped like a futuristic TV.

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Unlike previous product attempts, the iMac concept was immediately

embraced by the top decision makers at Apple, and the design went

through very few revisions.

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“We knew we had it when we saw it, and with Jobs’ support we were

able to make it happen,” Ive said in 1999.

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At a time when most computers were boxy and largely black, beige or

gray, the iMac was bulbous and flashy. People snapped up 150,000 of

them in the first weekend following its release. Apple sold 800,000

iMacs by the end of the year.

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The iMac changed the way consumers thought about personal computers

and about Apple itself. It gave Apple a vital boost that helped it

usher in a new era of consumer electronics that were quirky, fun

and colorful. The marketing team even teased consumers by

encouraging them at one point to collect all five – strawberry,

blueberry, grape, tangerine and lime.

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With Ive in charge of design, Apple then bought out the first iPod

in 2001, the iPhone in 2007 and the iPad in 2010. In recent years,

the company has largely dropped the bright color palette (though

you can still find it on some iPods) in favor of black, white and

silver hues. Yet they retained simplicity that made them

approachable to everyone – from the tech geek to Grandma – as well

as the curves, shiny surfaces and expensive appearance.

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As a result, Apple’s products are more popular than ever, allowing

the company to surpass rival Microsoft Corp. last year as the most

valuable technology company in the world.

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“He wasn’t responsible for them, but they definitely couldn’t have

done them without him,” said Leander Kahney, who has written about

Apple in several books and on his “Cult of Mac” blog.

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Ive and Jobs have worked hand in hand and, in many respects, have

contributed to each other’s success. Ive has always been in contact

with Jobs and speaks the same language as him, Antonelli said, and

they clearly have chemistry.

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Don Norman, who worked at Apple in the `90s as vice president of

the company’s advanced technology group, said that while Ive had

good design ideas “sitting on the shelves,” he needed Jobs to get

those designs off the shelves.

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“Jony has always been Jony – brilliant,” Norman said. “What he

needed was a Steve Jobs to say, `Make this happen.'”

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Now, the test will be whether Cook can continue to keep that focus

at Apple and encourage Ive to continue creating hits.

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In a sense, the challenge won’t be as difficult as it had been in

the 1990s. Now that Apple has developed a style, it can build on it

rather than try to reimagine it with each new product.

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And that, Norman says, is now in Apple’s DNA.

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Online:

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Ive collection at MoMA:

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